SELECTED REVIEWS

Randal Rushing's Hoffmann sent a voice (and personage) out into the theatre unmistakable in its schooling; the color was distinguished and evident even as the singer allowed it, ever so admirably, to open and display its dramatic power within the particular sonorities of the French language. One could recall Nicolai Gedda. - Middletown Journal

——————————

Randal Rushing, tenor, in the role of Lubin, was the star of the evening. - Pfälzischer Merkur

——————————

The young lover was portrayed by Randal Rushing, a tenor with charm, equipped with a warm, flowing, lyric voice, that revealed his ability in the Italian style. - Blekeder Landeszeitung

——————————

Tenor Randal Rushing performed the opening recitative and aria with a moving combination of refinement and emotion..., conveying a profound, sculptured dignity in his performance. - Ft. Worth Star-Telegram

——————————

Randal Rushing sang with a fresh, bright sound; especially convincing were his beautiful emotion-conveying piano tones. - Frankische Nachrichten

——————————

Randal Rushing from Stadttheater Regensburg as Lubin. Gluck offers cantabile throughout this rile, and Rushing seized the opportunity noticeably. He tastefully phrased throughout with his full, lyric sound.
- Frankfurter Main-Post

——————————

Randal Rushing as Count Almaviva sang very musically with a light and clear timbre, using his voice convincingly and cleverly.
- Mittelbayersche Zeitung

——————————

Randal Rushing, a noble lyric tenor, sang throughout with a metallic quality at his disposal.
- Die Rheinpfalz

——————————

A high point was provided for by tenor Randal Rushing who showed with Gioacchino Rossini's solo motet 'O salutaris hostia' all the qualities of best operatic singing.
- Mittelbayerische Zeitung

——————————